Archive for the ‘tattoo artist interview’ Category

On an overcast Monday, I had the pleasure of having a coffee, a croissant and a nice conversation with May’s featured tattoo artist, Shawn Dubin, of Moo Tattoo on South Street.  Shawn was “introduced” to me (I put it in quotes because it was via internet.  I thought of all kinds of corny words like “inter-met” that betrayed my geekiness but figured quotation marks would do) by a wonderful artist and mutual friend of ours, aaronwexler.com.  Shawn and Aaron grew up together, doing artwork and having fun with a group of friends in the Overbrook Park area of the city.  Aaron would say later that Shawn was the most naturally skilled, artistically.  Shawn attended the High School for the Creative and Performing Arts in Philadelphia.  He was accepted to a bunch of art schools, including SVA, which was his first choice.  Alas, his parents vetoed that and Shawn headed to University of the Arts.  Bored with the Fundamentals work of the first year, as he had been doing the same coursework for the previous two years in high school, Shawn ended his studies at UArts after a few months.  He worked at Tower Records on South Street, and a friend began to teach him to tattoo.  When the friend needed to replace a tattoo artist at his shop who’d been fired, Shawn was his first call and the rest, as they say, is history.

Shawn started out doing letters and Chinese characters.  As he already understood the fundamentals of art, it did not take long before he was working on what he enjoys most today: illustrative tattoos.  Shawn says that he doesn’t prefer working in either color or black and gray better, but that he does prefer to do the illustrative work.  He enjoys doing the line work, figuring out where shading and lines can go to make the eye sees what it needs to see without muddying up the tattoo with too many teeny lines or superfluous stuff.  When you look at his tattoos, you can pick them out as his.  They have a whimsical quality, even though they might be dark (in subject matter, not tone).  There’s something very unique about the designs, the linework and the subjects.  I love the skeleton mom and dad dancing on their suburban street in front of the nuclear explosion, but not more than the heart hive and the pink haired girl.  I’ve spent more than a few hours admiring his tattoos.

For the tattoos that Shawn wears himself, when I asked him if there was any overriding theme to them, he said that they all corresponded to important events in his life.  He has a tattoo that he got when he finished a book he was illustrating, for example, and a tattoo for his mother that he got when she passed away.

Shawn isn’t just a tattoo artist, though.  He was on a site called artconspiracy.com, before the days of DeviantArt.com and from there, hooked up with a few authors, for whom he’s illustrated books.  All he had to hear was the author’s idea – “It’s a devil girl and a skeleton boy, and they’re both in high school” and he knew that was a project he would do.  He’s also written and illustrated books of his own.  Shawn’s an avid comic guy, too.  When I confessed my recent foray into the world of teenager books, instead of laughing at me, he admitted to reading comic books.  He’s currently got one in the works, too.  He’s done the illustrations, and the writing has been a collaboration.  I’d keep my eye out for it if I were you – this guy is really a masterful artist, and I’m sure that the comic will not disappoint.  Check out some of his other comic style work at notgreencheese.com

Shawn has a soft voice and a kind way about him.  I bet that the minute you sit down to meet him and talk about the artwork you want, he puts you immediately at ease.  He has a quick laugh, a wry smile and a witty sense of humor but not at anyone else’s expense.  He is easy to talk to, and you get the sense that you are in the presence of someone who is happy in his own skin.

If you are looking for a unique, illustrative tattoo, Shawn Dubin of Moo Tattoo is your guy.  Moo is at 513 South Street in Philadelphia and their phone number is (215) 521-1490.  Some examples of Shawn’s work are shown below.  Don’t forget to check out his website too at www.shawndubin.com.

Carla Hopkins has had art in her life from a very young age. Her mother was a painter who had to quit painting because Carla wouldn’t keep her little hands out of the oil paints. Carla’s grandmother was an artist with an incredible talent for drawing, who also aspired to be a fashion designer. She is a huge influence in Carla’s life today, and is likely the source of her flair for incredible outfits. Not to mention, some of the pieces of the incredible outfits actually belonged to Carla’s grandmother.

Growing up in upstate New York, Carla had a great art teacher who was not only an advocate for the students and their programs within the district, but he also showed them how art could be a career. Carla attended the University of the Arts in Philadelphia, majoring in Sculpture. She does not sculpt today, well, not with clay anyway. After college, she made her way back to New York, where she convinced a tattoo shop to take her on, first as a shop girl, then as an apprentice. She learned to build her own machines there and make her own needles. That was nine years ago.

Today, Carla works at Portside Parlor, at 30 S. 2nd Street in Philadelphia. When you walk into the shop, you notice that it is not exactly like other tattoo shops. There are gorgeous hardwood floors which are inlaid with a stunning compass rose, incredibly high and beautiful ceilings and an antique velvet settee in the waiting area. You also notice that there is original artwork on the walls. The Portside Parlor does something very interesting – on First Friday (for those of you not in Philly, it’s – you guessed it- the first Friday of the month where art galleries all over the city open their doors for patrons and viewers) they close the tattooing portion of the shop and have an art show. The next show upcoming is “The City of Brotherly Love”; you won’t want to miss it, since Carla Hopkins has a piece in it.

Carla draws and paints, and her boyfriend is also an artist. You can see in her tattoos the incredible technical skill and trained eye that she brings to tattooing. Many of her tattoos are quite painterly and she easily cites influences from French and Dutch baroque painters’ freshly killed hare and insects, and metaphor, to Art Nouveau and Victoriana. However, that isn’t Carla’s specialty, although she is incredibly, amazingly talented in that area.

Her specialty is traditional Japanese tattoos, and I love the reason why she chose it. When she was about tattoo, she was told that if she really wanted to be a master, she needed to master traditional Japanese tattooing. Since her art school days, Carla wanted to follow in the footsteps of the masters like DaVinci, and so, the gauntlet laid down, she accepted. And master she did become.

The other thing that she really specializes in is cover ups. She’s masterful at seeing what can be done with a piece, looking for ways to hide it in her own beautiful art. I was truly amazed by what she showed me. She was teaching me to spot the tattoo in the coverup, and most of the time I couldn’t see it. On the left below is before, and on the right is after Carla Hopkins had her way with that tattoo.

She is a self proclaimed huge geek, and I have to say, she is definitely intellectually superior. Not in the sense that she behaves as though she’s superior to you but in a Garcia-from-Criminal-Minds sort of way. If she told you she hacked into the government’s computer system, you wouldn’t bat an eye. She knows a lot about art, history, a lot about pop culture. She is well read, has traveled extensively, including a stint in Europe tattooing for a bit under the top tattoo artist in France. In our brief time together, she taught me about what they’re doing with computers and art at RISD, about William Gibson and “Neuromancer” (she did the Molly Millions tattoo that Gibson himself saw and said it was the most like his vision he’d seen yet), and about the plumbers’ epoxy you have to use to make miniatures.

In closing, and at the risk of sounding gushy, Carla Hopkins’ talent will knock you out but her interesting conversation, wit and kind smile make her someone you’d be happy to have as a friend. If you’re in Philly and in the market for a fantastic tattoo artist, you can reach Portside Parlor by phone at 215-922-1313.

Sometimes, when you meet someone new, you click with them right away, and it’s a great feeling. This was what happened to me when I met with Masami on Sunday morning at a great coffee shop called Ultimo. We sat and talked for a good long while, and I feel fortunate to have done so. She and I have a mutual client (you might remember THIS blog post. Masami did a lot of the artwork on the mama in these photos.

Masami is from Japan. She came here when she was 18 years old, wanting to master English. She originally went to Boston right after high school. She knew that she wanted to be a tattoo artist at that point, and came to Philadelphia to attend PAFA. ven though she didn’t specifically set out to come to Philadelphia, she really loves it here, loves the music scene, finds it to be an affordable, underrated town. I can’t say I disagree.

This did not really thrill her parents, however. She says that her dad was none too pleased that she was dropping out of college to do this, as he is considered old school even by people who are old school. He wanted her to return to Japan and work in his business. The tattooing was not as bothersome to them as the not returning to the business. She started an apprenticeship here when she was 23 and remains at the same shop today. She was persistent in taking her artwork around to the shop owner, many times, and it paid off. I hadn’t met a female artist yet, so I wondered if she encountered any negativity based on her gender, but she thinks that there is at least one woman in every shop these days, whether it’s a manager or a shop girl, and that she hasn’t experienced anyone treating her differently.

She does a lot of drawing still and appreciates the classics. She thinks that one of the most difficult things in tattooing is reduction – figuring out what you can leave out and still keep the essence of the piece. She personally has many skulls, and they are one of her favorite things to tattoo, along with flowers. She has a death theme in the artwork on her own body, and wears approximately seven skulls. She considers her own tattooing style “versatile”. There is much that she is great at, especially her graphic work in my opinion, but doesn’t feel that her strongest suit is traditional Americana tattoos.

When she was in fourth grade, she was taking art classes with adults. She was a student mediation volunteer in elementary school. She is someone who loves to ponder and loves to learn. She questions every aspect of everything, including herself and her actions. The motto in the town that she grew up in is Studying For Life, and I think that Masami really embodies that. She has studied a lot of different philosophers and references Buckminster Fuller in conversation as easily as she references the classical art masters. She is as inspired by metal music as she is by Tchaikovsky.

She gave me a lot to think about, talking about subject from the difference between the Eastern and Western philosophies to why clouds are not subject to the laws of gravity. I’ve been thinking about a Buddhist philosophy, “Attach yourself to nothing”, and allowing the waters of life to flow over you like a rock but not be moved by them since I met with her virtually non-stop. I love when I am challenged to think by someone, and conversation with Masami did just that. I can imagine that it wouldn’t be bad to sit with her for a long sitting of being tattooed since she is so engaging. You can find her at Gemini Tattoo on Philmont Avenue in Philadelphia, 215-934-7027.

Some of Masami’s artwork, shown below:

Benji Harris is an open book.   That’s what he told me, anyway.  And, I believe him.  Because he was a really kind, genuine guy, and he has these intense and very honest looking eyes.  I found Ben’s work when I was searching for Philly tattoos on google.  I loved the two I found that were his (see below), so I sent him a friend request on Facebook.  What’s funny is, I don’t think he even knew that he’d been featured in the piece where I found him.  But I bet that wouldn’t surprise the people who know him best.  I get the distinct impression that Ben is a nice, funny guy who hasn’t been at this for a huge amount of time and because of that is seemingly unaware of how much talent he has.  This guy is one to watch.

I headed out to meet him at Sink The Ink Tattoo in Willow Grove on a sort of chilly Sunday morning.  He was getting ready for his first tattoo of the day, and sat down with me to answer some questions.  Most of Sink The Ink, including Ben, was probably exhausted on that particular Sunday.  That Friday evening, starting at 5pm, they did a fundraiser to raise money for the Fox Chase Cancer Center, wherein they did approximately 40 tattoos that night.  All of the proceeds were donated to the Fox Chase Cancer Center, and they raised $3k.

Jamie:  So, I love those Philly tattoos you did.  Are you a Philly guy?
Ben:  Kind of, I’m from New Jersey.  But we really consider Philly ours.

Jamie:  How long have you been tattooing?
Ben:  I started my apprenticeship at Sink The Ink in 2008.  I had been a video game animator, that’s what I went to school for.
Jamie (thinking about how her brothers might have wept to hear this was an actual  possible career as children):  Oooooh, was that cool?
Ben:  Uh, no.  It sucked very much.
Jamie:  No!  Why?
Ben:  I didn’t realize that it took like, 200 people to draw a video game.  I thought that it’d be awesome, I’d be drawing monsters and stuff.  In reality, I made the shadows under things for an entire year.  The following year, I made grass and bushes.   It was soul sucking.  So, I came here and everyone here really taught me.  It’s a great place to work.

Jamie:  So, what would you say your style is like?
Ben:  I would say that my work has a traditional foundation.  I like outlines and black shading.  But traditional coloring is flatter than I work, I like to do more sculpting with color.  And, my style is really still evolving.Jamie:  What  inspires you?

Ben: I am really inspired by nature – it’s way more inventive than humans because it’s had so long to think stuff up.  I’m also inspired by chaos, too, like the way the water in a cup of water spills.

Jamie:  What kind of tattoos do you enjoy doing most?
Ben:  I like to do animal and nature stuff.  I also love to do stuff that’s funny.  Anything where I am chuckling to myself while I am working, like the Delaware River catfish that I did and the memorial tattoo a friend of mine got for his friend’s right testicle.
Jamie:  Care to elaborate on that one?
Ben:  A friend of a friend lost a testicle to cancer, the right one.  So his buddy got a “RIP Righty” tattoo for it.  I have on my arm an octopus holding a fork.  I like that kind of funny stuff.

Jamie:  What’s the strangest request you’ve gotten?
Ben:  Well, I had this appointment that someone threw at me {meaning it was theirs and they passed it off to him}, so I should have known.  This woman came in with a battle ax, and below it was a yin yang that had a rainbow in one half.  She had had it done in a drug dealer’s house, but then the drug dealer got up and had to deliver his drugs partway through the tattoo, the lines were wavy, and it was not a very lovely piece of artwork.  She wanted it covered up.  Okay, I can do that.  Only, she wanted it covered up with the same tattoo, just done correctly.

Jamie:  Is there anything you won’t do?
Ben: Swastikas.  I don’t love tribal, but I’ll do it.

Jamie:  What’s the first piece you had done on you?
Ben:  It was graffiti style, orange, and swirly.  It’s covered up now, but the forktopus.

Jamie:  What do you do for fun when you’re not working?
Ben:  Hang out with my people and my girl.  Play video games.
Jamie:  Oh, good.  I’m glad to see that bad animating experience hasn’t hurt your enjoyment of video games.
Ben:  Yeah, I’m not scarred at all.

We are lucky in this city.  We have some incredibly talented tattoo artists that work here and create amazing art for the people of Philly and those who travel from far and wide to be tattooed by them.  One day it hit me that this would be a great place to showcase the work of some of the great artists working here and find out a bit more about them.  I love finding out about someone’s story (shocking, I know) and I figured that some of my readers may too.  Who knows, you might find a new artist you want to work with!

I’m lucky, too.  I have clients with some of the most amazing tattoos.  Such was the case with one of my first clients ever, maybe you’ll remember  http://www.jamiesieverphotography.com/fun-suburban-philadelphia-child-and-tattoo-photographer/. When I got home, my husband forced me to email her immediately to find out who’d tattooed her.  And, then, when the time came for him to get his first tattoo, that artist was the person he went to.  And, that guy was Joey Knuckles.  My husband’s last session with Joey was last night – the last of four.  So, we made it a date of sorts, and I got to hang out with two very handsome men and chat at Olde City Tattoo, 44 S. 2nd Street, in Philadelphia.

Jamie:  I love your stuff.  Can you describe your style in a sentence or two?
Knuckles:  ”Middle school”.  Not like, middle school, but I don’t think I am “old school” because I don’t leave skin showing like they used to – they didn’t color from edge to edge.  Not new school either.  So, middle school.  I like black shading and nice, solid colors.  I think I would say that my tattoos are in the traditional style, but with my art.

Jamie:  What’s your favorite piece that you’ve done to date?
Knuckles:  I think that whatever you’ve done last is your favorite.  I am currently doing Bird’s head, and it’s great to get to do work on someone you like and respect.

Jamie:  What’s your favorite piece that you wear?
Knuckles:  I’m loving Tim Victim’s coverups these days.  He did one for me, and it really blew my mind when he asked me to do one for him.  I have work from Marty Holcomb, who was taught by Stoney St. Clair.  I’ve gotten art from the guys who are really the masters, Bowery Stan, Jerry at Philadelphia Eddies.

Jamie:  How long have you been tattooing and how did you get started?
Knuckles:  I did my first tattoo on myself when I was 14 with a homemade gun.  It was a straightedge x.  My mom was not happy when she saw it.  When I was 23, I got a job as a piercer and after a few months, I progressed and they started teaching me to tattoo.  Dan Wesley really gave me my first break.  Then, I was asked to  work at High Street Tattoo.  Giovanni really flipped my game upside down, and I learned a lot from him and the super talented people there.

Jamie:  What would you be doing if you were not a tattoo artist?
Knuckles:  Time.  Haha.  Probably still cooking and getting into trouble.

Jamie:  What do you get the most requests for?
Knuckles:  Flowers, bright colors.  I’ve done a lot of owls lately.  I would say 80% of my clients are women, because I do a lot of pretty, fancy work.  I don’t do much horror stuff.  I just like to draw pretty stuff and make it look cool.

Jamie:  What inspires you?
Knuckles:  Eastern Indian religious art.  I am inspired by Alfonse Mucha; his art influences my foliage, among other things.  I like anything with flourish, things that are done nicely, and things with beautiful detail.  I also really love how Japanese work uses the muscle structure and how the design flows on the body.

Jamie:  What’s the strangest request you’ve ever had?
Knuckles:  Once, I was doing a tattoo on a guy’s girlfriend, and he was asking me about what he could get for free.  There was a portrait of myself hanging at my station and I told him that it was free to get that done.  So, that’s what he got.
Jamie:  Uh, that’s weird.  Did you know him?
Knuckles:  Not only did I not know him, it was his first tattoo.

Jamie:  Is there anything you won’t do?
Knuckles:  Other than tattoo minors?  Yeah, I won’t do a tattoo that I know won’t look nice, even if it’s what the person really thinks they want.

Jamie:  What is one thing that everyone should know about you?
Knuckles:  My farts make noise but they don’t stink.  Really.  Seriously, though, what people should know about me is that I really care about what I do.  This is what I know, and I really want it to be perfect.  The more you do it the way it’s supposed to be done, the better you are.

Jamie:  Where do you see yourself in 10 years?
Knuckles:  If I still have hands and sight, I’ll still be making art.  I’d like to have a family, settle down eventually.  (The nosy busybody in me can’t help but tell any single girl reading this that he is adorable and funny on top of being talented, and wants to settle down and have a family…)

You can see more of Knuckles’ work at www.joeyknucklestattoo.com.  Keep an eye out for some really exciting stuff coming up on the horizon for Joey Knuckles.

Knuckles tattoos Sunday – Thursday at Olde City Tattoo.  You can call 215-627-6271 to make an appointment with him or stop by at 44 S. 2nd Street.

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